Water is Coming to you
“He said, “Yahweh says, ‘Make this valley full of trenches.’ For Yahweh says, ‘You will not see wind, neither will you see rain, yet that valley will be filled with water, and you will drink, both you and your livestock and your other animals. This is an easy thing in Yahweh’s sight. He will also deliver the Moabites into your hand. You shall strike every fortified city, and every choice city, and shall fell every good tree, and stop all springs of water, and mar every good piece of land with stones.’” In the morning, about the time of offering the sacrifice, behold, water came by the way of Edom, and the country was filled with water. Now when all the Moabites heard that the kings had come up to fight against them, they gathered themselves together, all who were able to put on armor, young and old, and stood on the border. They rose up early in the morning, and the sun shone on the water, and the Moabites saw the water opposite them as red as blood. They said, “This is blood. The kings are surely destroyed, and they have struck each other. Now therefore, Moab, to the plunder!” When they came to the camp of Israel, the Israelites rose up and struck the Moabites, so that they fled before them; and they went forward into the land attacking the Moabites.” (2 Kings 3:16-24 WEB)
The Israel army coalition had no water to drink for seven days. They were thirsty and asked the prophet Elisha to inquire of the Lord Yahweh.
The Lord’s instruction was to make the valley full of trenches, in preparation to collect the water.
Yet you may wonder where is the water going to come from if there is no wind or rain?
Sometimes, when the Lord asks you to get into position, just do it without trying to reason it out.
He said to make the valley full of trenches, meaning GET READY TO RECEIVE.
How much water do you want to catch? The more trenches you dig, the more water you will store, if not the water will come, but it will just flow away.
The Lord allows you to choose how much you want to act upon His rhema word. If you have faith, you will make the valley of your life full of trenches, ready to receive from Him.
The water came by the way of Edom. It is not your job to know how the water comes. The point is, the water WILL come because the Lord has commanded it.
The water had a double purpose for the Israel coalition. It satiated their thirst, and it also became an important military tactic used by the Lord to defeat Israel’s enemies.
The water that you collect in the coming days will enable you to defeat enemies in your life.
Everyone’s “trenches” are different—you will know what yours is. Whatever the Lord has put into your heart to do, remember that you can choose how much water you will collect, based on how many trenches you make.
Do not waste time questioning, “How will the water come? How is it possible?” The water is coming so it is time to get in position!
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同時也有9部Youtube影片,追蹤數超過1萬的網紅translation,也在其Youtube影片中提到,#'89年コナミより発売されたMSX用横STGであり、MSXのグラディウスシリーズとしては4作目、且つMSXグラディウスシリーズ最後の作品。AC版同名作を元にはしている物のゲージタイプセレクト、ステージ1が太陽ステージ、ゴーファーが登場、以外の共通点はほぼない殆ど別物の作品。 MSX2で起動すると一...
「sun position」的推薦目錄:
- 關於sun position 在 Milton Goh Blog and Sermon Notes Facebook 的最佳貼文
- 關於sun position 在 Milton Goh Blog and Sermon Notes Facebook 的最佳解答
- 關於sun position 在 林郁晉- Yu Jun LIN Facebook 的最佳解答
- 關於sun position 在 translation Youtube 的最讚貼文
- 關於sun position 在 Survival Skills Primitive Youtube 的最讚貼文
- 關於sun position 在 chungdha Youtube 的最讚貼文
- 關於sun position 在 Reading Sun Path Diagrams - YouTube 的評價
- 關於sun position 在 Sun Path Products, Inc 戶外和運動用品公司 - Facebook 的評價
sun position 在 Milton Goh Blog and Sermon Notes Facebook 的最佳解答
Positioned in the Right Place At the Right Time
“I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favor to men of skill; but time and chance happen to them all. For man also doesn’t know his time. As the fish that are taken in an evil net, and as the birds that are caught in the snare, even so are the sons of men snared in an evil time, when it falls suddenly on them.” (Ecclesiastes 9:11-12 WEB)
Waiting and sitting on your hands is probably one of the hardest things to do, but sometimes it is necessary.
When timing and preparation coincide, the results will be beautiful.
At times, an average person can be at the right place at the right time, and be used mightily by God for His purposes.
We do not know the future, so the only way is to trust in the God who does. Believe that He is so good that He will use His knowledge to give you an advantage; to position you for victory in your situation.
Prayer: “Dear Abba God, I may not be the very best in my field, but You are so gracious towards me, giving me opportunities for advancement and to receive undeserved favor just because I trust in You. I lean not on my strength, wisdom, understanding, or skill, but fully upon Your Holy Spirit. Position me in the right place at the right time to receive from You. In Jesus’ name, Amen!”
Learn to flow with God’s system of times and seasons, and enjoy His fruitfulness in every season of your life: https://bit.ly/god-appointed-time
sun position 在 林郁晉- Yu Jun LIN Facebook 的最佳解答
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
________________________________________________
A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
_____________________________
《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
sun position 在 translation Youtube 的最讚貼文
#'89年コナミより発売されたMSX用横STGであり、MSXのグラディウスシリーズとしては4作目、且つMSXグラディウスシリーズ最後の作品。AC版同名作を元にはしている物のゲージタイプセレクト、ステージ1が太陽ステージ、ゴーファーが登場、以外の共通点はほぼない殆ど別物の作品。
MSX2で起動すると一部ステージでカラーパレット変更によるアニメ演出が追加される。MSXでは独自の進化をしてきたシリーズでその完結編を飾るに相応しい完成度だろう。
BGMはコナミ矩形波倶楽部のスタッフが作曲、ファンからの支持は高く、ステージ3以降の空中戦BGMは「グラディウス リバース」でもアレンジされるほど。
作曲:コナミ矩形波倶楽部(森本ゆきえさん、上原和彦氏、山根ミチル氏、古川もとあき氏、碇子正広氏)
Manufacturer: 1988(E),1989.01.27(J) Konami
Computer: msx
Hardware: AY-3-8910, K051649 (SCC)
Composer; Morimoto Yukie,Kazuhiko Uehara,Michiru Yamane,Motoaki Furukawa,Masahiro Ikariko
---------------------------------------------------------------
00:00 01.The Universe of Blackness (Prologue 0) (プロローグ0)
01:20 02.Memories (Prologue 1) (プロローグ1)
04:00 03.Start (スタート)
04:02 04.Equipment (Select) (セレクト)
05:09 05.We Followed The Sun (Stage 1 BGM) (ステージ1BGM/人工太陽)
06:22 06.Feel Pleasure to The Death (Stage 2 BGM) (ステージ2BGM/食虫植物惑星)
07:51 07.The Position Light (Air Battle) (空中戦)
09:13 08.Space Traveler (Stage 3 BGM) (ステージ3BGM/重力惑星)
10:49 09.Fighter Blood (Boss) (Boss,ブラックホール地帯)
12:12 10.Strangers in Time Space (Warp Demo) (ステー4ワープ/ガウディ -BACK TO 6644-)
13:30 11.Salamander Boss (Stage 4 BGM 1) (ステージ4BGM/亜空間航行 -G6709年 対沙羅曼陀戦-)
15:13 12.Gradius 2 Boss (Stage 4 BGM 2) (ステージ4BGM/亜空間航行 -G6666年 対ヴェノム戦-)
16:23 13.Gradius Boss (Stage 4 BGM 3) (ステージ4BGM/亜空間航行 -G6658年 対バクテリアン戦-)
17:04 14.Dance of Middle Easterners (Stage 5 BGM) (ステージ5BGM/モアイ)
18:35 15.Hellraiser (Stage 6 BGM) (ステージ6BGM/硬物質惑星)
20:18 16.Galactic Desert (Stage 7 BGM) (ステージ7BGM/砂の惑星)
22:21 17.From Ancient Times (Stage 8 BGM) (ステージ8BGM/単細胞生命体惑星)
24:10 18.Cosmic Heroes (Stage 9 BGM) (ステージ9BGM/機械工場惑星)
25:24 19.Close Quarters (Stage 10 BGM) (ステージ10BGM/バクテリアン要塞母艦)
27:05 20.Prophecy (Final Boss) (最終ボスBGM/ゴーファー艦内部)
28:08 21.Trust Me I Will Save You (Rescue Demo) (ジェイムス・バートン救出デモ)
29:57 22.The King of Diamonds (Venom Ending) (ヴェノム・エンディング)
31:20 23.Give My Heart to You (Happy Ending) (ハッピー・エンディング)
34:12 24.The Suggestion (Bad Ending) (バッド・エンディング)
35:35 25.Mirage (Game Over) (ゲーム・オーバー)
35:44 26.Pause (ポーズ)
---------------------------------------------------------------
sun position 在 Survival Skills Primitive Youtube 的最讚貼文
Hi. sundial and survive a day at the seashore wilderness this is our latest video. In this video we created a clay solar clock and lived in the wilderness. We use survival skills to catch shrimps, fish, oysters, Horseshoe crabs. We caught two Horseshoe crabs and released them to the ocean. A sundial is a device that tells the time of day when there is sunlight by the position of the Sun in the sky. In the narrowest sense of the word, it consists of a flat plate (the dial) and a gnomon, which casts a shadow onto the dial. As the Sun appears to move across the sky, the shades align with the different hour-lines, which are marked on the dial to indicate the time of day. Gnomon, mà có một điểm giới thiệu hoặc nodus có thể được dùng. The gnomon casts a broad shadow; shades of style show the time. The gnomon may be a rod, wire, or elaborately decorated metal casting. The style must be parallel to the axis of the Earth's rotation for the sundial to be accurate throughout the year. The style of angle from horizontal is equal to the sundial of geographical latitude.
In a broader sense, sundial is any device that uses the Sun's altitude or azimuth (hoặc cả hai) để hiển thị thời gian. In addition to their time-telling function, sundials are valued as decorative objects, literary metaphors, and objects of mathematical study.
We will continue to make the next video on primitive technology and wild survival skills. Subscribe to the channel to keep track of the latest videos. Thank you.
channel: https://goo.gl/9yRwS7
sun position 在 chungdha Youtube 的最讚貼文
Special thanks to Para, follow her on Instagram @lewenhou
In this video we are showing you how to get to Lok Wah South Car Park from Kowloon Bay MTR, we will walk up as honestly as waiting for the bus you would already arrived at the location. On top of the Lok Wah South Car Park we can find two special build art pieces which a lot of visitors and tourist go to just to take a picture of themselves at. However do note, that in the weekends it be even more busy than weekdays. So to get a chance to take a perfect picture without someone else getting in the shot, you need to be quite quick and aggressive to take up the turn as there no cue to wait up on.
Mostly the most important shot is to take the images with the circles and also when the sun is at the right spot you get some great diagonal lines added to the image. But if you want someone to pose in the circles there are a few things you need to remember. First is you don't want the person to block the circles so you don't want them to stand in the middle in the first circle as he or she would block the circles behind them, what you want to do is to offset them to one side, either sit on the bottom edge or lean on the side. If the person want to be in the middle its better to position them further down a few circles to get your shot.
Honestly the location is nice, but a bit warn down due to so many people taking pictures there, but due to so many people visiting this location, you need quite a lot of patience to get your turn and honestly not that many things to photography than just those circles.
This episode shot with:
Sony A7rii - https://amzn.to/2LHtcs0
Sony 28mm f2 - https://amzn.to/2JGhiOu
Sony SEL075UWC - https://amzn.to/2Mm4UVl
Samsung S9+ - https://amzn.to/2sW6X9Q
Zhiyun Crane 2 - https://amzn.to/2LJoYjv
DJI Spark - https://amzn.to/2MjVytn
Rode videomicro - https://amzn.to/2JEtZcs
Manfrotto Tripod - https://amzn.to/2MhObm2
Edited with Adobe Premiere Pro - http://goo.gl/k2EagF
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#MusicMonday - Is all about audio, review / test audio equipement or showcase music that I like.
#TimelineTuesday - Video Editing tutorials
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Hi! My name is Chung Dha, if you ever meet me IRL you can also say Jona. I am a Photographer, Awards winning Filmmaker and Graphic Designer from Rotterdam,The Netherlands. This channel is all about information, tutorials and more to help filmmakers and I personally like to checkout new tech and even make my own. Other things you will find on this channel are a lot of editing tutorials, travel vlogs and DIY tutorials. If you want to know what I am doing or be posted of the next video, subscribe to my channel or follow me on my other social media.
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sun position 在 Sun Path Products, Inc 戶外和運動用品公司 - Facebook 的美食出口停車場
Sun Path Athlete Jeannie Bartholomew putting the time and effort in to look smooth and fast over the pond at Skydive Sebastian. ... <看更多>
sun position 在 Reading Sun Path Diagrams - YouTube 的美食出口停車場
... <看更多>